Triad 1-b3-5. Sounds great in ballads.
Показывает, как текущий элемент связан с ладом, тональностью и используется в музыке.
Soft, contemplative, introspective.
Sadness, lyricism, nostalgia, depth.
Stable in a minor context — requires no resolution.
Recognized by the characteristic "sad" tone of the minor third.
Minor triad (1-b3-5).
Minor third (b3) defines the minor quality.
Root and b3 — minimum for the minor coloring.
Differs from major by the lowered third (b3 instead of 3).
Minor third creates a soft internal pull.
Stable on degree i of minor; may lean toward III (relative major).
Tonic function in minor, mediant in major (iii/vi).
Stable as the tonic of minor, auxiliary as vi in major.
Degree i of minor, degrees ii and vi of major.
Natural and harmonic minor, Aeolian mode.
Support for minor melodies and blues phrases.
Click a key to explore the same arpeggio in a different key.
Rock, ballads, blues, folk, Latin, classical guitar.
Well suited for lyrical solos and slow ascending lines.
Minor triad picking sets a melancholic or contemplative tone.
Ascending arpeggio builds emotion, descending lets it fade.
Exposes the minor color of the chord, contrasting with major fragments.
Practice arpeggio patterns across positions on the interactive fretboard.