Intervals 1-3-#5-b7. Dominant with augmented fifth for jazz.
Показывает, как текущий элемент связан с ладом, тональностью и используется в музыке.
Sharp, "lifted", tense.
Intrigue, chromatic anticipation, jazz drama.
Extremely unstable — strives for resolution even more than V7.
Recognized by the "protruding" augmented fifth over a dominant base.
Augmented dominant seventh (1-3-#5-b7).
#5 and b7 together create a double pull.
3, #5, and b7 — the defining trio of tones.
From regular V7: #5 instead of 5. From aug: added b7.
#5 pulls up, b7 — down: double chromatic motion.
#5→6 (up), b7→3 (down), 3→1 — triple resolution.
Altered dominant in jazz cadences.
Completely unstable — used exclusively for resolution.
V7#5 in major and minor; replaces standard V7 for brightness.
Whole-tone scale, altered scale (super Locrian).
Adds chromatic "edge" to a dominant phrase.
Jazz, post-bop, fusion, avant-garde.
Whole-tone and altered passages over the dominant.
As a V7 substitute for a brighter transition to the tonic.
Augmented fifth creates a "lift" before the final resolution.
Reveals dominant alteration — an advanced harmonic technique.
Practice arpeggio patterns across positions on the interactive fretboard.