Intervals 1-3-5-b7. Used for blues and jazz phrases.
Показывает, как текущий элемент связан с ладом, тональностью и используется в музыке.
Energetic, "pushing", bluesy.
Drive, push, bluesiness, expectation of resolution.
Unstable — classic dominant striving toward the tonic.
Defined by the characteristic tritone between 3 and b7, creating dominant pull.
Dominant seventh (1-3-5-b7).
Tritone between 3 and b7 — the heart of dominant function.
3 and b7 are essential for dominant coloring.
Differs from maj7 by the lowered seventh (b7 instead of 7).
Tritone (3↔b7) and b7 create strong pull.
3→1 (up) and b7→3 (down) — classic V7→I resolution.
Dominant function on degree V; blues tonic on I.
Unstable in classical, stable in blues as a "tonic".
V7 of major and minor, I7 in blues, V7/x — secondary dominants.
Mixolydian mode, blues scale, melodic minor from b7.
Basic vertical for blues and jazz improvisation.
Blues, rock, funk, jazz, R&B, soul.
Key structure for blues licks and jazz phrases.
Foundation of blues picking and jazz comping.
Dominant arpeggio as the climax before resolution.
Reveals the tritone — one of the most expressive intervals in a key.
Practice arpeggio patterns across positions on the interactive fretboard.