Intervals 1-3-5-b7-9-13. Full dominant big-band sound.
Показывает, как текущий элемент связан с ладом, тональностью и используется в музыке.
Rich, full, orchestral.
Grandeur, big-band scope, maturity.
Unstable as a dominant, but "rich".
Recognized by the "big-band" fullness and brilliance.
Thirteenth chord (1-3-5-b7-9-13).
13 (=6) at the top of the dominant vertical.
3, b7, and 13 — minimum for recognition.
From dom9: added 13. From 6: has b7 and 9.
Tritone 3↔b7 + extensions 9 and 13 — layered pull.
V13→I — extended dominant cadence.
The most complete dominant in tonal music.
Unstable, but "self-sufficient" in sound.
V13 — the pinnacle of the dominant vertical in big band.
Mixolydian, Lydian b7, blues scale.
13 as the melodic peak of a dominant phrase.
Big band, swing, jazz, blues, funk.
13 as a target note in the upper register.
13th chord as the climactic point in big-band arrangement.
Full arpeggio through 6 notes — a "staircase" to the top.
Reveals the complete dominant vertical from root to 13th.
Practice arpeggio patterns across positions on the interactive fretboard.