Chord Progression i-bVII-bVI-bVII

Q: What is the "Aeolian rock loop" progression?

A chord progression is a sequence of chords that repeats and provides the harmonic foundation of a song. "Aeolian rock loop" is one of the popular progressions with a distinctive mood and sound.

Q: How do I transpose this progression?

Use the key selector at the top of the page. All chords are automatically recalculated to the chosen key and the fretboard diagrams update accordingly.

Q: Which scales work over this progression?

See the Theory block below: it lists suitable scales and modes for improvisation. Typically these are the scale of the main key and its related modes.

Q: How do I write a song based on this progression?

Choose a tempo and key, add a rhythmic pattern and melody. The progression is a framework: you can build any melody, harmonic decoration and rhythmic variation on top of it.

Natural minor: tonic-bVII-bVI-bVII. Core pattern of hard rock and metal.

Amvi

FIV

Key:

BPM

Positions & route

1 / 4

Музыкальный контекст

АккордC MinorТрезвучие

АрпеджиоC Minor arpeggioТрезвучие

ГаммаC Minor Scale7 нот

ТональностьC MinorМинорная тональность

ПрогрессияAeolian rock loopПоследовательность

Показывает, как текущий элемент связан с ладом, тональностью и используется в музыке.

Theory

General information

Name: Chord Progression i-bVII-bVI-bVII
Type: Minor
Chord count: 3 chords
Tonal belonging: Natural minor / modal system
Brief character: Natural minor: tonic-bVII-bVI-bVII. Core pattern of hard rock and metal.

Progression composition

Degree sequence: i-bVII-bVI-bVII
Chords & functions: iCmtonic
bVIIA#dominant
bVIG#subdominant
Notation variants: i–bVII–bVI–bVII
1m–b7–b6–b7
Cm–A#–G#–A#

Construction logic

Functional formula: TТоникаDДомин.SСубдом.D
Movement logic: Subdominant creates motion, dominant creates tension.

How it sounds

Character: Minor, dramatic
Mood: Tense, melancholic
Stability level: Low — open ending on dominant
Sense of completeness: Incomplete — strives to repeat the cycle

Harmonic functions

iCmCenter of gravity, point of resttonic

bVIIA#Creates maximum tension, strives for resolutiondominant

bVIG#Creates motion away from tonic, prepares dominantsubdominant

How motion is created

The tonic provides a point of rest and stability. The subdominant sets the harmony in motion, moving away from that stability. The dominant builds tension that strives to resolve back to the tonic.

Tensions & resolutions

Chords that pull to resolution: bVII
bVII
bVI
Tension buildup: Tension builds on bVII, bVII, bVI.

Harmonic context

Natural keys: Cminor D#major
Transposition: The progression transposes to any key — the structure (Roman numerals) stays the same, only specific chords change.

Progression variability

Replace triads with seventh chords for a richer sound
Try chord inversions for smoother voice leading
Add passing chords between the main degrees

Connections & application

Related chords

Key chords of the progression — visit each chord page for voicings and theory.

Cmi A#bVII G#bVI

Related keys

Keys where this progression is most typical.

Cminor

Related scales & modes

Scales for melody / soloing

CDorian CPhrygian CLydian CMixolydian

Modes that reveal individual chords

iCm Aeolian (natural minor)

Application in music

Musical scenarios

Not just a genre list — specific situations where this progression shines.

Creates a distinctive atmosphere — sounds fresh compared to standard major-minor progressions
Opens up space for modal improvisation and scale experimentation
Fits naturally into film and media scoring

Genres & styles

Modal

aeolian

metal

hard-rock

minor

Featured in songs

Stairway to Heaven (verse)Led Zeppelin

All Along the WatchtowerBob Dylan / Hendrix

Babe I'm Gonna Leave YouLed Zeppelin

Paint It BlackThe Rolling Stones

Somebody That I Used to KnowGotye

Practice

How to play the progression

Learn each chord of the progression separately — make sure every note rings clearly.
Play the full progression without a metronome, focusing on clean transitions.
Set a metronome to 60 BPM and play each chord as whole notes (4 beats per chord).
Use the player at the top of the page for tempo control and an audio reference.

Chord change practice

Isolate each pair of adjacent chords and repeat the transition 10–20 times.
Start slow, increase by 5 BPM only when the transition is stable.
Loop the progression continuously without stopping between repetitions.
Watch for economy of motion — fingers should move as little as possible.

Rhythm work

Start with a simple downstroke on each beat.
Add alternation: down–up on each eighth note.
Try the "Whole → Quarters → Eighths" pattern from the player.
Play arpeggios instead of strumming to develop fingerpicking technique.

Improvising over the progression

Sing the chord tones aloud while playing — this develops your inner ear.
Play a 3–4 note melody over each chord, using notes from the compatible scale.
Try changing the rhythmic pattern of the melody while keeping the same notes.
Record yourself and listen back — this is the best way to assess progress.

Playing in different keys

Use the key selector at the top to see chords in a new key.
Start with nearby keys (±1 accidental): e.g., from C → G or F.
Play the progression 5–10 times in each new key before moving on.
Goal: play the progression in any key without looking at a reference.

Similar progressions

Dorian vamp (i-IV)Lydian float (I-II)

Scales for this style

Dorian Phrygian Lydian

What is the "Aeolian rock loop" progression?

How do I transpose this progression?

Which scales work over this progression?

How do I write a song based on this progression?

Chord Progression i-bVII-bVI-bVII

Natural minor: tonic-bVII-bVI-bVII. Core pattern of hard rock and metal.

Amvi

FIV

Key:

BPM

Positions & route

1 / 4

Музыкальный контекст

АккордC MinorТрезвучие

АрпеджиоC Minor arpeggioТрезвучие

ГаммаC Minor Scale7 нот

ТональностьC MinorМинорная тональность

ПрогрессияAeolian rock loopПоследовательность

Показывает, как текущий элемент связан с ладом, тональностью и используется в музыке.

Theory

General information

Name: Chord Progression i-bVII-bVI-bVII
Type: Minor
Chord count: 3 chords
Tonal belonging: Natural minor / modal system
Brief character: Natural minor: tonic-bVII-bVI-bVII. Core pattern of hard rock and metal.

Progression composition

Degree sequence: i-bVII-bVI-bVII
Chords & functions: iCmtonic
bVIIA#dominant
bVIG#subdominant
Notation variants: i–bVII–bVI–bVII
1m–b7–b6–b7
Cm–A#–G#–A#

Construction logic

Functional formula: TТоникаDДомин.SСубдом.D
Movement logic: Subdominant creates motion, dominant creates tension.

How it sounds

Character: Minor, dramatic
Mood: Tense, melancholic
Stability level: Low — open ending on dominant
Sense of completeness: Incomplete — strives to repeat the cycle

Harmonic functions

iCmCenter of gravity, point of resttonic

bVIIA#Creates maximum tension, strives for resolutiondominant

bVIG#Creates motion away from tonic, prepares dominantsubdominant

How motion is created

The tonic provides a point of rest and stability. The subdominant sets the harmony in motion, moving away from that stability. The dominant builds tension that strives to resolve back to the tonic.

Tensions & resolutions

Chords that pull to resolution: bVII
bVII
bVI
Tension buildup: Tension builds on bVII, bVII, bVI.

Harmonic context

Natural keys: Cminor D#major
Transposition: The progression transposes to any key — the structure (Roman numerals) stays the same, only specific chords change.

Progression variability

Replace triads with seventh chords for a richer sound
Try chord inversions for smoother voice leading
Add passing chords between the main degrees

Connections & application

Related chords

Key chords of the progression — visit each chord page for voicings and theory.

Cmi A#bVII G#bVI

Related keys

Keys where this progression is most typical.

Cminor

Related scales & modes

Scales for melody / soloing

CDorian CPhrygian CLydian CMixolydian

Modes that reveal individual chords

iCm Aeolian (natural minor)

Application in music

Musical scenarios

Not just a genre list — specific situations where this progression shines.

Creates a distinctive atmosphere — sounds fresh compared to standard major-minor progressions
Opens up space for modal improvisation and scale experimentation
Fits naturally into film and media scoring

Genres & styles

Modal

aeolian

metal

hard-rock

minor

Featured in songs

Stairway to Heaven (verse)Led Zeppelin

All Along the WatchtowerBob Dylan / Hendrix

Babe I'm Gonna Leave YouLed Zeppelin

Paint It BlackThe Rolling Stones

Somebody That I Used to KnowGotye

Practice

How to play the progression

Learn each chord of the progression separately — make sure every note rings clearly.
Play the full progression without a metronome, focusing on clean transitions.
Set a metronome to 60 BPM and play each chord as whole notes (4 beats per chord).
Use the player at the top of the page for tempo control and an audio reference.

Chord change practice

Isolate each pair of adjacent chords and repeat the transition 10–20 times.
Start slow, increase by 5 BPM only when the transition is stable.
Loop the progression continuously without stopping between repetitions.
Watch for economy of motion — fingers should move as little as possible.

Rhythm work

Start with a simple downstroke on each beat.
Add alternation: down–up on each eighth note.
Try the "Whole → Quarters → Eighths" pattern from the player.
Play arpeggios instead of strumming to develop fingerpicking technique.

Improvising over the progression

Sing the chord tones aloud while playing — this develops your inner ear.
Play a 3–4 note melody over each chord, using notes from the compatible scale.
Try changing the rhythmic pattern of the melody while keeping the same notes.
Record yourself and listen back — this is the best way to assess progress.

Playing in different keys

Use the key selector at the top to see chords in a new key.
Start with nearby keys (±1 accidental): e.g., from C → G or F.
Play the progression 5–10 times in each new key before moving on.
Goal: play the progression in any key without looking at a reference.

Similar progressions

Dorian vamp (i-IV)Lydian float (I-II)

Scales for this style

Dorian Phrygian Lydian

What is the "Aeolian rock loop" progression?

How do I transpose this progression?

Which scales work over this progression?

How do I write a song based on this progression?

Chords & Arpeggios

Scales & Modes

Harmony & Theory

Tools & Practice

Chord Progression i-bVII-bVI-bVII

Positions & route

Музыкальный контекст

Theory

General information

Progression composition

Construction logic

How it sounds

Harmonic functions

Tensions & resolutions

Harmonic context

Progression variability

Connections & application

Related chords

Related keys

Related scales & modes

Application in music

Musical scenarios

Genres & styles

Featured in songs

Practice

How to play the progression

Chord change practice

Rhythm work

Improvising over the progression

Playing in different keys

Related

Frequently Asked Questions

Chord Progression i-bVII-bVI-bVII

Positions & route

Музыкальный контекст

Theory

General information

Progression composition

Construction logic

How it sounds

Harmonic functions

Tensions & resolutions

Harmonic context

Progression variability

Connections & application

Related chords

Related keys

Related scales & modes

Application in music

Musical scenarios

Genres & styles

Featured in songs

Practice

How to play the progression

Chord change practice

Rhythm work

Improvising over the progression

Playing in different keys

Related

Frequently Asked Questions