Intervals 1-b3-5-7. Dark, mysterious jazz sound.
Показывает, как текущий элемент связан с ладом, тональностью и используется в музыке.
Mysterious, "noir", tensely beautiful.
Mystery, cinematic drama, inner conflict.
Unstable — internal major-minor contradiction.
Recognized by the "conflict" of minor third and major seventh.
Minor-major seventh (1-b3-5-7).
b3 (minor) and 7 (major) — contradictory pair.
b3 and 7 — both essential for the effect.
From m7: major (not minor) seventh. From maj7: b3 instead of 3.
Semitone b3↔3 and 7↔1 — double internal conflict.
Can resolve to minor (b3 wins) or major (7 wins).
i(maj7) — descending chromatic line in minor (i-imaj7-i7-i6).
Transitional — part of the minor chromatic cliché.
i(maj7) in chromatic cliché; III+ of harmonic minor.
Harmonic minor, melodic minor.
Melodic minor as the improvisation foundation.
Click a key to explore the same arpeggio in a different key.
Jazz, noir, cinematic music, progressive.
Chromatic lines 7→b7→6 or b3→3→b3.
Part of the famous "minor cliché" in accompaniment.
Seventh degree as the upper chromatic passing in a minor phrase.
Reveals the major-minor conflict within a single chord.
Practice arpeggio patterns across positions on the interactive fretboard.